OMG that dress!

A blog for fashion and history.

Follow me blog with Bloglovin

Follow our sister site, OMG that Artifact!

Cape
Late 18th century
The Metropolitan Museum of Art View high resolution

Cape

Late 18th century

The Metropolitan Museum of Art

Snood
1780-1795
The Metropolitan Museum of Art View high resolution

Snood

1780-1795

The Metropolitan Museum of Art

Coat
1787-1792
The Metropolitan Museum of Art View high resolution

Coat

1787-1792

The Metropolitan Museum of Art

Robe à l’Anglaise
1785-1790
The Los Angeles County Museum of Art View high resolution

Robe à l’Anglaise

1785-1790

The Los Angeles County Museum of Art

Chemise à la Reine
1783-1790
Manchester City Galleries
A few days ago, someone requested to see the “chemise à la reine,” or “the queen’s chemise.”  It got its name after Elizabeth Vigée Lebrun painted a portrait of Marie Antoinette wearing one.  Because it was generally viewed as an informal garment, the fact that she was painted wearing one caused quite a stir (also, it didn’t help that at that point everyone pretty much hated Marie Antoinette and they were just looking for reasons to hate her.  Not unlike we do with famous women today).  The chemise marked the beginning of the loosening of the strict and elaborate fashion rules of the 18th century and the beginning of the loose, comfortable clothes of the regency era.  Also, one could go into the decline of the opulent royal court and the rise of the self-made, educated industrial bourgeoisie, but that’s another history lecture.  Just another example of how dramatic changes in fashion often reflect dramatic changes in society.
Anyway, after Marie Antoinette’s portrait was made, it became somewhat fashionable for women to be painted in similar chemises, so there are quite a few portraits out there, but unfortunately, actual chemises that are around today are pretty rare.  This is the only extant example of one that I know of.

Chemise à la Reine

1783-1790

Manchester City Galleries

A few days ago, someone requested to see the “chemise à la reine,” or “the queen’s chemise.”  It got its name after Elizabeth Vigée Lebrun painted a portrait of Marie Antoinette wearing one.  Because it was generally viewed as an informal garment, the fact that she was painted wearing one caused quite a stir (also, it didn’t help that at that point everyone pretty much hated Marie Antoinette and they were just looking for reasons to hate her.  Not unlike we do with famous women today).  The chemise marked the beginning of the loosening of the strict and elaborate fashion rules of the 18th century and the beginning of the loose, comfortable clothes of the regency era.  Also, one could go into the decline of the opulent royal court and the rise of the self-made, educated industrial bourgeoisie, but that’s another history lecture.  Just another example of how dramatic changes in fashion often reflect dramatic changes in society.

Anyway, after Marie Antoinette’s portrait was made, it became somewhat fashionable for women to be painted in similar chemises, so there are quite a few portraits out there, but unfortunately, actual chemises that are around today are pretty rare.  This is the only extant example of one that I know of.

Coat
1780-1800
Nasjonalmuseet for Kunst, Arketektur, og Design View high resolution

Coat

1780-1800

Nasjonalmuseet for Kunst, Arketektur, og Design

Waistcoat
1780-1799
The Victoria & Albert Museum View high resolution

Waistcoat

1780-1799

The Victoria & Albert Museum

Coat
1780s
The Metropolitan Museum of Art View high resolution

Coat

1780s

The Metropolitan Museum of Art

Coat
1780s
The Metropolitan Museum of Art View high resolution

Coat

1780s

The Metropolitan Museum of Art

Ultralite Powered by Tumblr | Designed by:Doinwork